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“Fiordiligi is not a new role for Klára Kolonits, but she was strikingly different than she used to be in the previous productions(…). In a very surprising way she fits into the unusual settings according to the instructions dictated by the stage director (…). In such a rare interpretation even the perfect technique and secure knowledge of the part get overwritten by the expression.”
“Klára Kolonits in Fiordiligi’s arias shows everything that can be found in Mozart’s musical phrases. Her voice is graceful and strong, mature and playful at the same time.”

more reviews…

See all pictures: Così fan tutte 2016

reviews

“The singers formed vocally a well-balanced and well-coordinated ensemble, characterised also by dedicated acting, facial expressions and gestures. Nevertheless, there was a certain gradation. For the ladies, first comes Klára Kolonits as a Fiordiligi with her impeccable soprano.”

February 23rd 2018, Online Merker, Harald Lacina

“Fiordiligi is not a new role for Klára Kolonits, but she was strikingly different than she used to be in the previous productions(…). In a very surprising way she fits into the unusual settings according to the instructions dictated by the stage director (…). In such a rare interpretation even the perfect technique and secure knowledge of the part get overwritten by the expression.”

 June 27th 2016, momus.hu Antal Z. Tóth

 “Two arias of Klára Kolonits were of different nature, and because of exceptionally suggestive voice and performance style of the singer they became two true key points of the premiere.”

 June 19th 2016, mezeinezo.blog.hu, Zsuzsanna Makk

“She can be youthfully sweet in the funnier scenes, but she is able to fall into insane tragicomical despair with subtly erotic hints while healing broken heart with compulsive drinking of hot chocolate. (…) She gets a lot of scenes next to or on the piano played by her husband, and these settings radiate a different, but very palpable energy which I loved. The top point of this was the second aria, very intimate. Being an exquisite singer gifted with natural stage instincts Klára Kolonits is becoming a terrific actress which I feel is a place and time to say very clearly.”

 June 26th 2016, ArielWoy.com

See all pictures: Così fan tutte 2014

“Klára Kolonits in Fiordiligi’s arias shows everything that can be found in Mozart’s musical phrases. Her voice is graceful and strong, mature and playful at the same time.”

 November 18th 2014, Dániel Mona

“Klára Kolonits in the role of Fiordiligi stands above the other singers, her voice is also contributing to create a full of life and emotions, believable character.”

 November 16th 2014, kuk.btk.hu, Ferenc Hörcher

“Klára Kolonits’ powerful aria was amazing (Come scoglio).”

 November 15th 2014, Zsuzsanna Makk

See all pictures: Così fan tutte 1999

“Klára Kolonits was singing and acting at her usual high level. For me she was the one who truly presented every possible quality that we may expect from a Mozart singer.”

 January 18th 2008, szinhaz.hu, Zoltán Megyeri

“Klára Kolonits sung the role of Fiordiligi at her usual high standard. She was the one who expressed best the subtleties of her soul through the Mozart phrases. Klára Kolonits was able to show wonderfully the process, in which Fiordiligi is passing from one love to another, of course with mild doubts on her way.”

 February 25th 2007, papiruszportal.hu, Ildikó Lehotka

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