Today I will show you a more complex exercise, and we will play around with it. How can we modify an existing scale, how many thing can you practice on the same sequence of notes, or with only slight changes? What vowels are the best for this and what happens if an opera singer meets a high passage written on “i”? What is the trick for the perfect staccatos in Lucia cadenza or Der hölle Rache? And what happens in a singer’s brain after a good high note? All that in today’s episode: for beginners and for the professionals likewise!