“Of course, the microphones „coloured” the singers’ productions the most (…). Klára Kolonits was the one whose production was bothered the least, because of nuanced diversity of her singing; what we managed to hear, was beautiful, and in addition excellent technically: the climax of it was already mentioned mad scene.”

July 19th 2007, MusicianWho.hu, Péter Varga

“Klára Kolonits shining in the title role was an unusual joy to listen to. A single phrase from her vocal output bore deeper artistic quality, than the two mentioned gentelmen’s production during the whole evening. Secure intonation, exemplary voice control, wonderfully measured dynamic and true, noble bel canto.”

July 19th 2007, momus.hu, Miklós Balázs