Giuseppe Verdi – La Traviata
I like a lot a Violetta who – instead of suffering through her life – dares to make choices and bear their consequences. In the concept of Nadine Duffaut, Violetta is a modern woman, truly complex character who dares to be even antipathetic on stage. I am not fragile twenty years old girl anymore and I’m not pretending to be, because it would be false and anachronistic. For that reason I love what happened in end in the staging of Nadine: Violetta deprived of all her feminine attributes tries to console Alfredo in the face of her own death, as if in this production she was his mother and his lover in one person. We lose our feminine beauty as time goes by, but we stay women, and mothers, even if we have no children.
2019 Teatro Coccia di Novara
MD: Matteo Beltrami, Stage: Renato Bonajuto
2019 Magyar Opera Cluj
MD: Dinyés Dániel, Stage: Gy. Tatár Éva
2016 Csokonai Theatre, Debrecen
MD: Szabó Sipos Máté, Stage: Nadine Duffaut
2014 Národní divadlo moravskoslezské Ostrava
MD: Robert Jindra, Stage: Carmen Or
2012 Szombathely
MD: Kesselyák Gergely, Stage: Mányik Albert
2012 Schloss Kirchstetten Festival
MD: Homaan Khalatbari, Stage: Némedi Csaba
2012 Ljubljana
MD: Loris Voltolini, Stage: Lutz Hochstraate
2010 Bratislava (⟳ 2012)
MD: Peter Valentovič Stage: Marián Chudovský,
2007 Opera Osijek (⟳ 2008)
MD: Loris Voltolini, Stage: Ivan Leo Lemo
2006 Magyar Állami Operaház (⟳ 2008, ⟳ 2009, ⟳ 2010, ⟳ 2012, ⟳ 2013 )
MD: Szabó Sipos Máté, Stage: Békés András
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